Group name - Hull Handbell Change Ringers

Section Index

Teaching Pages

Development:
Teaching Points

Teaching notes re: change ringing on handbells

Teaching and Learning Principle

Whatever stage a learner is at, the detail needs correctly to be in the learner's head, otherwise it will not come out correctly on the bells. This principle applies to both the teacher and the learner. The mental skill of knowing and correctly memorising in which places a pair of bells is to be rung absolutely precedes picking up the bells.

Teaching points
There will be a gap between the aspirations of the leader and the difficulties being experienced by the learner. Occasionally bridging the gap is important as the leader and the learners need to stay connected.

It is easy to overlook the team nature of handbell ringing; ringing one's own bells correctly is part of enabling the other ringers to do likewise, this includes the leader.

Mistakes are inevitable, and part of the teamwork is to try to recover from a mistake, rather than just stopping and starting again.


Site Sections:

Introduction:

Teaching point:
The concept of change-rows, striking position within a row, changes of position within a row, is fundamental to everything that follows.

Hence it is essential that this is taught and tested before moving on. Demonstrate / teach by the use of moving people and moving bells if necessary.

Ensure you form your own opinion of the abiities of a learner, do not take another person's word without testing it.


Rounds and Call Changes

Teaching points
The visual aspect of ringing needs to be mentioned, so if a bell is rung and by accident doesn't strike, the learner needs to be taught not to "waggle the bell", just leave it as if it had properly been rung because other people will have counted the movement as a bell having been rung.

Teaching points
There is more value in Rounds and Call Changes than would first appear; for learners struggling with theory, being able to produce a pleasant sound is re-assuring; on higher numbers, the patterns can be a lead-in step towards Plain Hunting.

Teaching points
The spacing of bells inside tittums and whittingtons should be used to emphasize the team nature of handbell ringing and as a preparation for plain hunting; one apart in tittums is like 1 apart in coursing.

Teaching point
Use an experienced ringer to ring 1-2 when possible, in order to demonstrate and emphasise the open handstroke lead.


Plain Hunting

Teaching point
Assess the knowledge of your learner.
Ensure the concepts of change rows and position within change rows is thoroughly understood because woolly thinking here will waste hours of time.
If a learner has never rung changes, get them to hunt with one bell on a variety of numbers of bells and from a variety of starting points, before going on to introduce the three patterns.

Teaching point
Don't assume the learner has read, marked and learned the structure of plain hunting, take time to go through it thoroughly. Test the learner's understanding by getting them to write this out, and then to join together the positions of the pair of bells they are learning to ring.

Learning points
Part of learning is the repetition to enable assimilation. However, the early assimilation of the "tune" of Plain Hunting starting at diatonic rounds can cause mistakes when the hunting starts from other sequences as in Plain Bob. Two techniques are noted that force a learner to rely on the visual pattern rather than the auditory tune:

a) Swap the bells so that the ringer of 1-2 position has bells 1 and 3; 3-4 position has 5 and 2; 5-6 position has 4 and 6; thus the tune is now "Plain Hunting from Queens".

b) Ring 8 or 10 bells with the front 6 ringing Plain Hunting and bells numbered 7 and above stay in place (covering).

Teaching point
Accidentally using the word "position" when we should say "starting position", or better "pattern" will confuse learners.

Learning point
On 6 bells there are three hunting patterns (see Hunting Patterns), and they all need to be learned in preparation for ringing Plain Bob.
The patterns are easier to ring by concentrating most (e.g. 66%) on the first bell in the row; the other bell is rung relative to the first (spacing 1 apart, etc) and takes the remaining 33% of concentration.


Plain Bob Minor

Teaching point
The easiest pair to teach first is 5-6, followed by 1-2, and then 3-4.

Teaching point
The novice ringer of 1-2 will probably be surprised by reaching "opposites" so quickly.
On the simulator try starting from 156342, i.e. the backstroke of the 5-6 down dodge for the 2nd.
On real bells, ring handstroke 153624, backstroke 156342, and on into the last three leads.


Double Bob Minor
Place Notation

Teaching points
To the experienced ringer, place notation is straightforward. To the novice place notation seems to be irrelevant in the struggle to remember where to ring one's bells in the changes, and the symmetry of the leads and patterns is not obvious.

Showing how plain hunting is created by place notation is not enough. It was when we started to write out a course of Little Bob (from -16-14/12) that the penny started to drop.

In change ringing on handbells, the ringer is much more involved with the structure of the methods, and detailed understanding of those structures is an invaluable aid to accurate ringing. Hence the early emphasis on place notation.

Awareness of the place notation is also an aid to developing an awareness of the position of the treble, the key to all basic ringing methods.


Treble Bob Minor

Teaching point
Don't be ashamed to ring Treble Bob Hunting where every alternate change is a repetition. The rhythm of Treble Bobbing is so different from Plain Hunting that plenty of practice is called for.

Teaching point
As a stepping stone into Kent TB, Forward Minor and Kent Little Bob Minor are worth ringing.


Right Place Surprise Minor

Learning points
Whilst Cambridge Surprise is an elegant method, it is also quite "busy" compared to Kent and Oxford T.B. Cambridge intermingles fluid hunting with long places.

An experienced tower bell ringer might get a long way in Cambridge by looking at the double blue line, however, a safer approach is to learn several different aspects of the method. These include, Place Notation alone, Place Notation and where's the treble, Visualisation of the Grid, 14 and 36 cages, double blue lines, lead end transpositions.


Wrong Place Surprise Minor

Teaching point
Wow! This is hard stuff, don't even think of it after a night out.


Plain Bob Major

Teaching point
There seems always to be a struggle in the second half of the course, and if the course has fired up when the tenors were parted, the second half gets less practice.

So start from Handstroke 18765432 / Backstroke 18674523, and take it from there.

Teaching point
The impact of the dodges on 1-2 changes after the symmetrical lead. In the first three leads, the second dodges further away from the treble but they hunt towards each other.
After opposites, the second dodges closer to the treble (5 apart, 3 apart, 1 apart) but they hunt in parallel. This is counter-intuitive, it should be getting easier but it doesn't feel like it.